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Tuesday, February 24, 2015

I Heart Movies

My love of movies is tied up with my love of books. Here is the collaborative blog post I co-wrote with my daughter, The Insatiable Word Eater (like mother, like daughter) for the Oscar awards on Sunday. I am linking to her blog instead of re-posting here.  Overall, on all the awards given on Sunday evening, I was 17 for 24 in correct predictions.  In our posted predictions, we were spilt. I correctly choose Birdman for Best Picture, while Riley stuck with our personal favorite Boyhood. Riley corrected selected Eddie Redmayne for Best Actor, while I missed on Michael Keaton. We both were right in our predictions for Best Supporting Actor, Best Actress and Best Supporting Actress. On our last posted category - Best Original Screenplay, since we are word lovers, Riley nailed it by selecting Birdman.  We had a fun evening, as always, but missed the absent sister who was studying for mid-terms.
It was a "bookish" Oscars with several adaptations and original screenplays up for awards.  As Shelf Awareness pointed out yesterday, five of the eight best picture nominations were based on books or were book-related.  I love movies and seeing the way my favorite books come to life (sometimes in a disappointing way) on the big screen.  Read my daughter's blog post for all our predictions. 

Wednesday, February 18, 2015

The Intersection of Beauty and Horror

Dear Readers, I don't even know how to tell you about The Narrow Road to the Deep North by Richard Flanagan. I'm still blown away, three days after completing this 2014 Man Booker Prize Winner. I haven't heard much talk about this book, so I don't even know where to begin. It's harrowing to read about the construction of the Thai-Burma Railway, or Death Railway in 1942-1943.  Slave laborers, including Asians and Allied prisoners of war, were forced to build this railway in brutal conditions. More than 12,000 Allied prisoners died in the effort.  See the famous film Bridge Over the River Kwai (1957) for a slightly different view of this horrific chapter in history.  The Narrow Road is about a group of Australian POWs and the Australian surgeon Dorrigo Evans who was forced to care for the sick and dying of this band of slave laborers in the worst conditions possible.  

The novelist Richard Flanagan, a native Australian, has accomplished a feat comparable to the building of that 258-mile railway as he weaves a story of love and war and lost dreams. Flanagan's own father was a POW who survived the building of the Death Railway and actually died the day Flanagan finished the novel.  This tribute to his native Australians who survived this horrible chapter in history is astounding in its description of the human condition. He intersects the stories of the men on the railway and how the survivors'  lives turned out after their return to home and family with those of their captors, the seemingly evil Japanese officers, also during and after the railway construction. Many of the Japanese and Koreans slave drivers went through war crimes trials after WWII. Underlying the brutal scenes in the Asian jungle is the poignant love story of Dorrigo Evans and his uncle's wife. The title of the book comes from the title of a famous book by a 17th century Japanese haiku poet Basho, who said "every day is a journey and the journey itself home."

Like that quote, this book seems to follow a circular pattern with all the journeys becoming home. Dorrigo understands at the end …"the love story would go on forever and ever, world without end."  In one beautiful statement near the beginning of the book, Flanagan talks about the feeling of communion books bring. He said, "At such times, he had the sensation that there was only one book in the universe, and that all books were simply portals into this greater ongoing work - an inexhaustible, beautiful world that was not imaginary but the world as it truly was, a book without beginning or end."   Life is a circle of beauty and horror like the ancient haiku by Issa quoted in the book, 
In this world
we walk on the roof of hell
gazing at flowers.

The best books give us a glimpse into the meaning of life. This book is one of those.  The chair of the judges of the Man Booker Prize, 2014, A.C. Grayling said, "Some years very good books win the Man Booker Prize, but this year a masterpiece has won it."  Don't miss The Narrow Road to the Deep North.



Sunday, January 25, 2015

Why Fiction Matters

A few weeks ago, I heard a great re-broadcast of the episode of the Diane Rehm Show on NPR about why fiction matters.  A recent study indicates that fewer than half of all Americans are reading novels today. It suggests that those who do read fiction are better able to understand the emotions of others. The abstract of the study published in Science Magazine in October 2013 says that the ability to understand others’ “mental states” and thus help us have better relationships is improved by reading literary fiction, and more broadly, in engaging with works of art.   So, basically, reading fiction makes us better people and helps us relate to others in a more caring way.  I’ve always thought that, haven’t you?

If you are looking for some great fiction to read in the year ahead, here are a few lists that were published recently.  This list from Bustle is right up my alley and I aim to read all these. I’ve read 5 out of the 11 listed.  The New York Times’ 100 Notable Books of 2014 is a more ambitious list, but a good one. Enjoy!


Friday, December 26, 2014

Holiday Thoughts

Reading a book on the Kindle is a strange experience. Strange in several ways actually… but one of the most disconcerting things is that you can't see how far you have left to go in the book by the way it looks in your hands. Instead, you have to go to the bottom of the "page" and see the percentage you have read. 

I was just reading Richard Ford's latest book, Let Me Be Frank With You, and I looked down to see that I was 85 percent complete. I told my husband, "I can't believe I'm almost finished with this book and nothing has really happened." Then I read the part near the end of the novel where Frank Bascombe encounters the local minister when visiting a sick friend. Fike, the priest, comments that he is enjoying listening to Frank read a V.S. Naipul book on the local Reading Radio for the Blind program and he says, "Not much happens there, wouldn't you say?" To which Frank replies, "That's the point, Fike. You have to be available to what's not evident." 

That's true of this novel, as well. The book of four linked short narratives ends on Christmas Eve with Frank's encounter with an old friend.  Frank, my old fictional friend through three previous Ford novels - TheSportswriter, Independence Day and The Lay of the Land - has grown older and is contemplating life in this funny, but quiet, book.  I first met Frank, now 68, almost 30 years ago (hard to believe!) in The Sportswriter and we have grown old together (even though he’s 12 years old than I).  One cannot help compare Frank Bascombe to Harry Angstrom in John Updike’s four Rabbit books. Both are middle class modern mystics.  And you definitely have to appreciate the underlying story in both books.


Richard Ford, born in my home state of Mississippi, sums of his linked quartet of novels with this quote,  “In my view,” Frank says, “we have only what we did yesterday, what we do today and what we might still do. Plus, whatever we think about all of that.”  And "what we think about all that" is what Ford is richly gives us in this book through Bascombe, in his quiet, contemplative way. It was especially nice just before my own Christmas Eve.

And don't worry, I really don't read on the Kindle too often. The device is perfect when I'm traveling because I can always have new books at my disposal. With just the stroke of a key, I can have a fresh novel to read. I love that when I'm on the road, but for the rest of the time, nothing beats holding a book in my hands.  I can't wait to dig into my new Christmas books - Aimless Love: New and Selected Poems by Billy Collins, Small Victories by Anne Lamott, All the Light We Cannot See by Antony Doerr and Family Furnishings by Alice Munro. Poetry, essays, literary fiction and short stories. My cup runneth over!

Tuesday, November 25, 2014

Tired of Waiting

I am so tired of waiting,
Aren’t you,
For the world to become good
And beautiful and kind?

8.6 million people re-tweeted that line from a poem by Langston Hughes last night after the grand jury in St.Louis did not charge the police officer in Ferguson who shot and killed an unarmed black man last summer. The world seems so unfair. Is there no justice? Will black men continue to be gunned down in the streets of our country?

These are all questions that Jesmyn Ward asked in her most recent book, Men We Reaped:A Memoir. She said, “Demond’s family history wasn’t so different from my own, did that mean we were living the same story over and over again, down through the generations? That the young and Black had always been dying, until all that was left were children and the few old, as in war?”

I just finished Men We Reaped yesterday; the same day the grand jury in St. Louis announced their non-conviction.  As I watched the riots in Ferguson and the peaceful protests across the country on television last night, I felt only despair. Like the words by Langston Hughes, I am so tired of waiting. Demond (in the quote above) could be Michael Brown or any one of countless numbers of unarmed black men killed by authorities

As a White woman from Mississippi, I felt guilt and shame as I read this painful memoir by Ward, just like the shame I felt hearing the grand jury decision last night.  The Men We Reaped was a difficult book to read, not because of dense or confusing writing, but because of the sad, sad story this young woman was compelled to tell. Jesmyn Ward is the National Book Award winning author of Salvage the Bones, one of my favorite books. That novel tells the fictional story of a south Mississippi family living in abject poverty during Hurricane Katrina. Men We Reaped is not fiction as Ward pays tribute to five young men, including her brother, who died within four years in her south Mississippi hometown of Delisle. These beloved young men’s deaths were all separate incidents and had different causes, yet the history of poverty and racism in her hometown compelled Ward to look at why they died and see a connection. “Death spreads, eating away at the root of our community like a fungus.”
            
In her last chapter, Ward shares some of the statistics about “what it means to be Black and poor in the South.” Thirty five percent of Black Mississippians live below poverty level, compared with 11 percent of Whites. And one of every 12 Black Mississippi men in his 20s is an inmate in the Mississippi prison system. And poverty, lack of education, and poor social support contribute to as many deaths as heart attack, stroke, and lung cancer in the United States. All these statistics don’t tell the story as well as Ward’s very honest tribute to each of these young black men in her community that died between 2000 and 2004. I read the last chapter in tears as Ward said, “By the number, by all the official records, here at the confluence of history, of racism, of poverty, and economic power, this is what our lives are worth: nothing.”

Ward describes the despair she felt for years after the death of her brother by a drunk driver was followed by the deaths of four other good friends in her home town. The drunk driver who killed Ward’s beloved younger brother received no DUI, no manslaughter charge, only a conviction for leaving the scene of an accident. He never paid restitution and only served three years in jail.  Is this fair? How long must we wait?

I can only imagine how emotionally demanding it must have been for Ward to write this book. I heard her speak in Houston a couple of years ago and she talked about this book being one she had to write. She said this book was the most difficult thing she had ever written. She is brave and honest in depicting her life and the lives of her family and the people in her community.

Ward writes: “We tried to outpace the thing that chased us, that said: You are nothing. We tried to ignore it, but sometimes we caught ourselves repeating what history said, mumbling along, brainwashed: I am nothing. We drank too much, smoked too much, were abusive to ourselves, to each other. We were bewildered. There is a great darkness bearing down on our lives, and no one acknowledges it.”

Everyone should read Men We Reaped. Unless we try to understand the world these young black men inhabit and acknowledge their darkness, we will all keep waiting for Langston Hughes’ beautiful and kind world. I am praying for Ferguson this morning and for the mothers who lose their children too young and for courageous writers like Jesmyn Ward who shine the light in the darkness.
           



Thursday, November 6, 2014

Mind Bending Look into the Future


David Mitchell's The Bone Clocks is a fantastical journey forward in time. Told in several engaging voices, the stories of Holly Sykes and Hugo Lamb and Crispin Hershey begin to overlap and merge and get more far fetched as the reader is drawn further into the future. 

I was completely engaged and engrossed in Mitchell's most recent novel. He creates a new metaphysical world with forces of good and evil on the other side of the earthly realm as we know it.  His characters are both ordinary human beings and extraordinary reincarnations from the past.  This book could definitely be classified as science fiction. But don't let that turn you off if you don't think of yourself as a sci fi person. The characters are real, especially Holly Sykes who is a salt of the earth daughter of a pub owner in Kent. You are drawn to her story as she fearlessly moves through her life.

Time travel, mind reading, predicting the future, this book takes the reader through many centuries and around the world and beyond. You don't have to read David Mitchell's other books before you read this one. But you may recognize a few characters and places, if you have. I've read Cloud Atlas and Black Swan Green and dearly love those. My friend, the high school English teacher, has her students read Black Swan Green every year.  If you haven't discovered David Mitchell, maybe it's time you do. And if you already love Mitchell, then hurry to read The Bone Clocks.